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From rock crystal to pressed glass

In 1670 the man who invented the technique of casting mirror-glass, Bernard Perrot, started of casting glass prisms instead of cutting them out of crystal rock.

The benefits were several; the glass-prism were cheaper to produce, they were easier to work with and they could be made bigger since it was difficult to find big pieces of rock crystal.

Up to one day to cut a dozen prisms

Perrot did cast prisms in small forms of metal; the floating glass-pulp was levelled by a wooden rolling pin. The hole in the prism was made of a metal spike that was pierced onto the form. The finished prisms were fixed in plaster, as they were cut. The prisms were sometimes cut to half, so a dozen of prisms could take a day to manufacture.

In the end of the 18th century the earlier import-restrictions revoked and the import of prisms from foreign countries began.

In the early 19th century large amounts of prisms were imported from England, Bohemian and Ireland. They were well cut and in different shapes, something that inspired to brand new models of crystal chandeliers.

Strass och bohemian crystal

Under the post-war period bohemian prisms dominated the Swedish market but along with the 70´s the Strass and the Italian press glass became more and more popular. The Strass became a tremendous success and the trademark "Strass" were later registered.

In the 80´s the Turks started to export prisms that had been cast, cut and polished by hand, these handmade prisms are today the most price-friendly alternative.